On All Our Lives
Adult
Ray Gonzalez
Everything was the apple and
the glass of tea.
The mountain, the mold, the
apron on the grandmother—
the neck of a brown baby
holding its tiny head
to get rid of the black
bees.
This is the end of a bad
century,
the opening of a door that was
never built into the chest.
A volume of loud wires coming
out of the ground.
My grandfather rising from
fifty-four years of death to see me.
The instrument carved out of
bone.
A lock of hair from a famous
seventeenth-century poet.
The disintegrating bible
wishing it was another book.
A hanging arm sweeping the
water out of the way.
My memory of flying through
the tunnel that came out of nowhere.
A dog with wings and a cat
with magic.
The sentiment and the
sweat.
The blue chest of the working
man and
the bare ankle of a young girl
who drank beer.
The shadow of a young boy
named Carlos and
the bare shoulders of a young
girl who whispered.
The hunger of an older boy
named José.
The hard work of a brother
named Ramón with
a closeness and a disagreement
among them.
A torn pair of work pants
and
a stiff and muddy pair of
gloves.
A pocket with two dollars
crumbled inside.
A bare foot rubbing the bare
back of a young girl.
The fourth can of beer.
The farmhouse that belonged to
the family
and the chickens that were
killed for food.
The cactus garden that killed
two men when they fell in
and the pieces of green cactus
that made them dream.
The green juice that started
the earthquake,
the crushed flesh of cactus on
their tongues
and its swelling that made
them dream.
A garden hose washing away the
blood.
The sparrow hovering over the
trash can and
the back alley stinking of dog
shit and drunken men.
Falling feathers interpreted
for what they bring.
A church next door full of
sermons and howling black faces.
The corner of the house where
a young boy went to hide.
A single strand of hair found
in a high school yearbook,
the forgotten idea that hiding
it in there would lead to a different life.
The piano wounded by stones
falling out of the cottonwood.
The willow tree spreading over
the entire front yard
and the tiny white balls of
gum that fell out of it one day.
The smell of shadows, trains,
humor, tumbleweeds,
ice, empty parking lots, one
or two torn knees,
a baseball glove, the first
guy to cross the finish line,
the fear, the dread and the
skill of escaping
so no one would start a list
of smells.
Fear melted the memory of a
lost boy.
The old house, the rosary
around the neck,
the crushed dog in the
road—
a sudden calling from behind
to warn him
to come in and be still.
Who recalls how this ended
when the men
built their ships and invaded
to change the outcome?
The right to cry out and wait
a whole century.
The embers, the lone piano,
the oil lamps
damaged by a dream.
The ambition in the
spine.
Who will insist on tapping the
window to show
how easy it is to delay the
next hundred years?
-from Consideration of the Guitar |
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