Back From Nod. . .Staying At Ed's Place
Staying At Ed's Place
by May Swenson
I like being in your apartment, and not disturbing anything.
As in the woods I wouldn't want to move a tree,
or change the play of sun and shadow on the ground.
The yellow kitchen stool belongs right there
against white plaster. I haven't used your purple towel
because I like the accidental cleft of shade you left in it.
At your small six-sided table, covered with mysterious
dents in the wood like a dartboard, I drink my coffee
from your brown mug. I look into the clearing
of your high front room, where sunlight slopes through bare
window squares. Your Afghanistan hammock,
a man-sized cocoon
slung from wall to wall, your narrow desk and typewriter
are the only furniture. Each morning your light from the eastdouses me where, with folded legs, I sit in your meadow,
a casual spread of brilliant carpets. Like a cat or dog
I take a roll, then, stretched out flat
in the center of color and pattern, I listen
to the remote growl of trucks over cobbles on
Bethune Street below.
When I open my eyes I discover the peaceful blank
of the ceiling. Its old paint-layered surface is moonwhite
and trackless, like the Sea—of Tranquillity.
As in the woods I wouldn't want to move a tree,
or change the play of sun and shadow on the ground.
The yellow kitchen stool belongs right there
against white plaster. I haven't used your purple towel
because I like the accidental cleft of shade you left in it.
At your small six-sided table, covered with mysterious
dents in the wood like a dartboard, I drink my coffee
from your brown mug. I look into the clearing
of your high front room, where sunlight slopes through bare
window squares. Your Afghanistan hammock,
a man-sized cocoon
slung from wall to wall, your narrow desk and typewriter
are the only furniture. Each morning your light from the eastdouses me where, with folded legs, I sit in your meadow,
a casual spread of brilliant carpets. Like a cat or dog
I take a roll, then, stretched out flat
in the center of color and pattern, I listen
to the remote growl of trucks over cobbles on
Bethune Street below.
When I open my eyes I discover the peaceful blank
of the ceiling. Its old paint-layered surface is moonwhite
and trackless, like the Sea—of Tranquillity.
-All photos, except for the one of Ms. Swenson, are by The Poetrycooker.
May Swenson |
Back From Nod #12
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